

On a recent episode of the Trill Music Review Show on TikTok, host Trill delivered a powerful and telling statement about JQX—one that speaks volumes about the artist’s standing in the music review community.
Before even pressing play, Trill made it clear that JQX’s music has moved beyond the traditional critique process.
“I don’t review JQX’s music. This isn’t things that I review for critiques and things of that nature. This is more or less a showcase for people that aren’t familiar with his catalog… He’s proven himself as an artist to me. This isn’t a review. This is a showcase.”
In the world of live music review shows—where songs are routinely dissected, scored, and judged—this distinction is rare. Trill explained that once an artist proves their consistency, creativity, and authenticity, they no longer need to be critiqued. Instead, their music deserves to be presented.
“Once you prove yourself to me as an artist, I don’t review your music anymore. All you need to do is submit it and we’re gonna play it for the people to listen to. You’ll gain new fans that way.”
For JQX, this means his music now enters Trill’s platform not as a test, but as a feature. The goal is no longer evaluation—it’s exposure. It’s about letting new listeners discover a catalog that has already earned its respect.
Moments later, after playing “GOAT 5,” Trill doubled down on that energy:
“That was GOAT 5 from JQX… a jammy, also a contender for Song of the Live. Let’s keep the energy going.”
In a space where artists fight for validation, JQX has reached a rare tier—where the music speaks so clearly that critique becomes unnecessary. What remains is a showcase. A spotlight. And an open door for new fans to step into a growing legacy.






